Showing posts with label *Christmas Movies. Show all posts
Showing posts with label *Christmas Movies. Show all posts

Thursday, January 22, 2026

Remember the Night (1940)

"Look when court reconvenes, I'm going to try my best to put you in jail for a good long time. That's my business, but you haven't been convicted yet, so I don't see why you shouldn't enjoy Christmas like the rest of us."

Director
Mitchell Leisen

Cast
Fred MacMurray - John Sargent
Barbara Stanwyck - Lee Leander
Elizabeth Patterson -as Aunt Emma
Beulah Bondi - Mrs. Sargent
Sterling Holloway - "Chilly" Willie Simms
Willard Robertson - Francis X. O'Leary
Charlie Arnt - Tom
Tom Kennedy - "Fat" Mike
Georgia Caine - Lee's mother


Believe it or not, it's still the Christmas season. As Candlemas approaches on February 2, I suppose it’s coming to a close as I post this.
Back in Christmas of 2024, which feels too long ago, my wife and I made it a point to check out a handful of not as popularized Christmas movies, "Christmas in Connecticut," "The Holly and the Ivy," "The Lemon Drop Kid," "It Happened on 5th Avenue," and "The Shop Around the Corner." There's one other Christmas movie Iv6e wanted to add to that list but never did until now. It's the Christmas romance movie, "Remember the Night" directed by Mitchell Leisen and starring Barbara Stanwyck and Fred MacMurray. 
In this movie, Barbara Stanwyck plays shoplifter Lee Leander who's arrested after lifting some jewelry just days before Christmas. 
Her prosecution falls upon Assistant District Attorney Jack Sargent (Fred MacMurray). However, the sentimentality of the holiday season may soften the hearts of the jury and lead them to decide not to acquit. So, to ensure a fair and impartial trial, Jack postpones it until after Christmas. 
However, that same softness of heart that Christmas is notorious for entices Jack to post Lee's bail. He had overheard her complaining to her attorney about spending the holidays in jail. To prevent that, he asks the bondsman, Fat Mike (Tom Kennedy, not me) to post bail. 
Fat Mike does that and then brings Lee over to Jack's apartment thinking he wants to, ummm, show Lee a good time...so to say. 
Of course, Jack is a gentleman and a man of integrity so that wasn't his actual intention. Fat Mike just has a filthy mind, I guess. Seriously, Mike? Fat and perverted!  
Anyways, Jack finds that he and Lee have some things in common, like both being Indiana natives. He also can't help but feel bad that Lee doesn't have a place to spend Christmas. 
As Jack is going to be driving to visit his family for the holidays, he offers to give Lee a ride to her mother's place as it's on the way. 
So, the two take a little road trip during which they park to rest in a random field for the night. They're then arrested for trespassing, and are hauled off to a cantankerous Justice of the Peace. They flee from his office thanks to Lee's expertise at evading lawful trouble. 
Jack drops Lee off at her mother's house, but she wants nothing to do with her daughter. As far as she's concerned, Lee is a hopeless case. 
So, Jack decides to take her to his family's place for Christmas. Lee is warmly welcomed by Jack's family. As they love having her around, she learns a lot about Jack. 
As expected, a romance forms between Lee and Jack though once Christmas is over, the trial will still have to commence. 
"Remember the Night" is like a Hallmark Christmas movie before Hallmark movies were a thing. And I've seen so many Hallmark Christmas movies, plus a bunch of Christmas movies from Great American Family that I recognize recycled plots faster than I can process the shame of admitting to it. I’m not proud of it or anything. My wife loves those Hallmark and Great American Family flicks. And this classic flick feels like one of them. However, despite what seems like a rather comedic premise, it doesn't have the gingerbread trauma, the kind that one feels when the poor local cupcake shop is threatened with closure due to financial troubles, that Hallmark movies have. 
Nor does it beat the audience over the head with tinsel demanding they feel the tidings of comfort and joy. Rather, it comes across as genuine... somewhat. 
"Remember the Night" has that Christmassy tenderness with a hint of raw feeling to it when compared with other holiday romance films. 
I appreciate romantic comedies like this with a premise that consists of a budding romance between a fellow and a dame in which some sort of duty over love gets in the way. It's quite a workaround that gives the audience something to ponder. 
"Remember the Night" is a perfect example of such a romance. Other movies such as "The Lady Eve" (1941) and "Ball of Fire" (1941) have a similar law or love premise. 
"Bluebeard’s Eighth Wife" (1938) and "Meet John Doe" (1941) also have similar plots but with reversed roles in which the male leads are boggled down by their misdeeds while romance is on the horizon. 
"Remember the Night" also reminds me a bit of "Roman Holiday" with Audrey Hepburn and Gregory Peck in that it's a romance that isn't really "supposed" to occur. 
The chemistry between Fred MacMurray and Barbara Stanwyck hits the audience as soon as they're on screen together. Their respective performances give the story enough screwball comedy elements that doesn't get in the way of the story's subtle melancholy tone because despite how much the audience wants to see these two characters hook up, there's that pesky legal matter that can't just go away. 
Though she's technically a criminal, Lee is still a genuinely sympathetic character. Something is clearly at the root of her poor decisions, and her mother doesn't have any hope for her own daughter.
It's worth mentioning that Stanwyck and MacMurray would go one to star in "Double Indemnity" in 1944.
"Remember the Night" may not have the emotional impact that "It's a Wonderful Life" has, or the triumph of something like "White Christmas," or the glorious conversion of "A Christmas Carol," it works well to deserve an annual slot in the Christmas movie rotation. It has its own little conversion premise worthy of some appreciation around the holidays. 


Check out my commentary on other generally unheralded Christmas films! 


Monday, December 23, 2024

The Shop Around the Corner (1940)

"There might be a lot we don't know about each other. You know, people seldom go to the trouble of scratching the surface of things to find the inner truth."

Director
Ernst Lubitsch

Cast
Margaret Sullavan - Klara Novak
James Stewart - Alfred Kralik
Frank Morgan - Hugo Matuschek
Joseph Schildkraut - Ferencz Vadas
Sara Haden - Flora Kaczek
Felix Bressart - Pirovitch
William Tracy - Pepi Katona


Occasionally, I see the movie "The Shop Around the Corner" listed among other holiday movies, especially on streaming apps. But it's not a holiday movie on the same level as more common classic holiday movies like "It's a Wonderful Life" even though both this and "It's a Wonderful Life" stars James Stewart. 
The story takes place in a small leathergoods store in Budapest. The owner, Hugo Matuschek (Frank Morgan) has a loyal staff which includes family man Pirovitch (Felix Bressart), the womanizing Ferencz Vadas (Joseph Schildkraut), saleswoman Ilona Novotny (Inez Courtney), clerk Flora Kaczek (Sara Haden) and the delivery boy Pepi Katona (William Tracy). 
Alfred Kralik (James Stewart) is perhaps his most loyal employee. He's been employed at Matuschek's shop the longest. 
Kralik has been corresponding anonymously with a lady whom he met through a newspaper advert. She's an intelligent woman, but the two haven't officially met. 
Meanwhile, tension has been slowly building suddenly between Kralik and Matuschek. It begins to boil over when Matuschek asks Kralik his opinion about selling a cigarette music box that plays "Ochi Chërnye" when it's opened. 
Matuschek thinks it'll be a popular item, but Kralik thinks it won't sell. 
After their disagreement, Klara Novak (Margaret Sullavan) walks in and approaches Kralik about a job. 
Kralik says there are no openings, and that Matuschek isn't looking for any new employees.
But when she manages on selling one of the cigarette boxes, Matuschek hires her on the spot. 
Meanwhile, Matuschek suspects his wife is having an affair. She's often out late at night and frequently requests money from him. 
Margaret Sullavan and James Stewart in "The Shop Around the Corner."
With Christmas on its way, Kralik and his mystery lady correspondent plan on officially meeting for the first time. 
They agree to have dinner together at a local restaurant. Unfortunately, the date is stalled when Matuschek requests all his employees stay late to help decorate the shop for Christmas. 
Later that night, he fires Kralik despite being his years of loyalty. 
This leaves the rest of the employees completely baffled. They don't know that Kralik's firing is based on Matuschek's suspicion that Kralik is fooling around with his wife, which of course isn't the case. 
When Matuschek meets up with a private investigator whom he hired to follow his wife, the investigator says he saw his wife with his other employee, Ferencz Vadas. 
Pepi comes back to the shop after hours just in the nick of time as he stops Matuschek from killing himself. 
Kralik, meanwhile, heads to the restaurant to meet his date, only to find his mystery girl is Novak. 
The realization is a letdown for him, but he decides to join her anyways under the ruse that he's there to meet up with Pirovitch. He doesn't let on that he's the mystery penpal. 
However, Novak thinks if her mystery writer sees her with Kralik, it'll ruin everything. She snaps at him, in fact, and calls him a "little insignificant clerk" before asking him to scram.
So, he scrams and makes his way to visit Matuschek who's in the hospital after his attempted suicide.
Matuschek is remorseful how he treated Kralik, apologizes, and offers him the manager position. Matuschek is also grateful to Pepi and offers him the clerk position. 
But Novak is left crestfallen as her mystery man, so she thinks, never showed up for their meeting/ date. So much so, she calls in sick to work the next day. 
Kralik pays her a visit that night after work, during which time she receives a letter from her mystery man. She even reads it to Kralik, unaware he's the guy who penned it. 
Christmas Eve rolls around, and the company holds their customary Christmas party. And that's when the beans spill. 
If the premise sounds familiar, "The Shop Around the Corner" has seen a few remakes, including the 1998 movie "You've Got Mail" with Tom Hanks and Meg Ryan. 
It also has the same storyline as the musical "In the Good Old Summertime" (1949) starring Judy Garland and Van Johnson. 
"The Shop Around the Corner" isn't necessarily an obscure movie, but when it comes to standard holiday movies, it's not as spoken of as other more movies stapled to Christmas. 
As for the label "Christmas movie," it's a real stretch of holiday logic to call this a Christmas movie. Personally, I think the same is true for the aforementioned "It's a Wonderful Life." In both movies, Christmas shows up sometime around the end. Perhaps it's debatable whether or not the holiday is an integral part of the story. 
As far as I'm concerned, I think the answer to what makes a film a "Christmas movie" is pretty basic. For a movie to be a Christmas movie, the holiday itself needs to support the plot. In other words, the plot is dependent upon Christmas. It's not enough for a movie to convey all those cheery Christmassy feels audiences love to wrap themselves up in around the holidays, though Christmas doesn't support the storyline. Still, people have their favorite flicks to watch around the holidays. And some of those movies happen to take place at Christmas. For a lot of people, that's all that's needed. 
Then again, the resolution seems to depend on Christmas. The reveal takes place on Christmas which adds to the charm and gives a little extra happiness to the already happy ending. Finding love may be the best Christmas gift for these characters. 
It also makes the sadness of the owner's loneliness sting a little bit more. 
There's a bit of heavy drama with Matuschek crushed at his wife cheating on him while thinking she's messing around with Kralik whom he otherwise has much appreciation and loyalty. That certainly pulls at the audience's emotions a lot more, especially as they watch his pain really eat him up. 
For a romantic comedy, the romance falls ever so gracefully and perfectly into place. The audience knows what's going to happen. Still, they want to see it blossom. The experience they're in for is Klara's reaction at the end. 
The problem with both Margaret Sullavan's and Jimmy Stewart's respective characters is that they're too in love with the prospect of being in love. And each one yucks the other's yum so to say. Only when they get over themselves, then the happy ending (or happy beginning) starts. 

Wednesday, December 18, 2024

It Happened on 5th Avenue (1947)


Director
Roy Del Ruth

Cast
Don DeFore - Jim Bullock
Gale Storm - Trudy O'Connor
Victor Moore - Aloyisius T. McKeever
Charlie Ruggles - Michael J. O'Connor
Ann Harding - Mary O'Connor
Grant Mitchell - Farrow
Edward Brophy - Patrolman Cecil Felton
Arthur Hohl - Patrolman Brady (uncredited)
Alan Hale, Jr. - Whitey Temple
Dorothea Kent - Margie Temple


I found this movie fascinating, to be honest.
First, if you ask me, or even if you didn't ask me, as I previously mentioned, I think a Christmas movie needs to use Christmas as an integral part of the story in some way or another if it's going to claim the status of "Christmas movie." 
If a part of the movie happens to take place at Christmas, but it doesn't play any necessary role outside of setting, then it's questionable to me if it's truly a Christmas movie or not. Still, some audiences claim certain movies to be "Christmas movies" and make it a point to catch that movie every Holiday season simply because the story takes place, even partially, at Christmas. I'm certainly not criticizing them nor the movies they love to watch around the holidays. If that's all it takes for them, then enjoy, and merry Christmas.  
Meanwhile, some Christmas movies haven't quite reached the zenith that other Christmas movies reach every single year, with no sign of fading. 
"It Happened on 5th Avenue" is one such movie. 
I'm sure there's a lot of people out there that likely catch this movie every December. But does this play just as much as "It's a Wonderful Life" or any version of "A Christmas Carol" on television? 
So, what exactly happened of 5th Avenue? 
The movie starts with a homeless guy named Aloysius T. McKeever (Victor Moore) as he takes up habitation (or "squatting" as we call it today) in a huge 5th Avenue estate which the owner boards up at the same time each year. That owner happens to be Michael J. O'Connor, (Charlie Ruggles). He's the second richest man in the world. During the winter season, O'Connor heads to his property somewhere in Virginia where it's warmer, leaving his 5th Avenue mansion vacant. 
So, McKeever takes advantage of the opportunity each year to live like the other half live, and stay in luxurious warmth, too. Wintertime in New York, I hear, can be painfully frigid. 
This time, McKeever takes in an ex-G.I. named Jim Bullock (Don DeFore) who was evicted from his apartment building which the same O'Connor happens to own and is tearing down in order to build a skyscraper. 
With a housing crisis hindering veterans from finding homes, Jim invites fellow vets Whitey Temple (Alan Hale, Jr.), Hank (Edward Ryan) and their families to stay at the mansion.
Meanwhile, O'Connor's runaway daughter, Trudy, who doesn't initially admit she's his 18-year-old daughter, shows up at the house.  

She and Jim end up falling in love. Trudy just doesn't want Jim to know that she is Michael's daughter as she doesn't want Jim to love her back for her family wealth. 
Trudy showed up initially because she has been increasingly unhappy that her parents are divorced. So much so that she ran away from her school and returned to the house to grab some of her clothes. 
Her parents divorced after her mother felt Michael was more interested in pursuing wealth than maintaining his love and affection for his wife. All the while, she wishes her parents would get back together.
As her feelings for Jim grow, she wants to marry him. It so happens that her dad had to return to New York from Virginia because of some business that needed his attention. 
So, she asks her dad to come by the house. However, she asks that he disguise himself as a vagrant looking for shelter and that he calls himself "Mike." 
This is where the comedy shines through. Mike has to be a guest in his own home with a bunch of squatters. 
McKeever allows him to stay but he treats Mike like a servant. 
Of course, this unwelcomed and sudden lifestyle wears thin really fast. Mike demands Trudy get all of the riff-raff out of his house in 24-hours. 
This makes Trudy really upset. So, she calls her mom, Mary (Ann Harding) down in Florida for some help. 
Even though she and Michael are divorced, Mary still comes to her daughter's rescue. 
When she arrives at the house, Mary also pretends to be homeless. 
Within no time, McKeever senses that Mary and Mike kind of like each other. Of course, he's still completely unaware of who they are, and gives them both little pushes towards each other. 
These efforts work as Mike tells Mary that he's changed over the years and proposes to her which Mary accepts. I can get behind that message regarding marriage. 
As this crew of squatters begin celebrating Christmas, with the homeowner among them, but not making his true identity known, two police officers catch them all inside the house. 
However, McKeever persuades the cops to allow them to stay until the new year as it's cold outside. And kicking them out of the warmth of the house during this time of the year wouldn't be right. 
Mike's true identity is eventually revealed to everyone, but not before correcting some wrongs and becoming more empathetic on his part towards those less fortunate than he. 
The inhabitants enjoy a wonderful New Year's dinner, after which they leave the house in the condition, they found it in. 
This story feels like a more true-to-life tale of Ebeneezer Scrooge minus the supernatural elements, and haughty Scrooge. O'Connor isn't necessarily a Christmas-hating old miser. In fact, he's a reasonable guy with no chip on his shoulder. Christmas has much less to do with the overall tale than it does in "A Christmas Carol." Still, it plays a role in softening the hearts of some who may not have realized their hearts needed softening. It plays a role in igniting a sense of correcting personal wrongs, which O'Connor accomplishes for the sake of his family. And it strengthens a sense of empathy. The general premise of charity, mercy, forgiveness and redemption plays just as much of an important part in the story as it does in "A Christmas Carol." The themes in this movie surround class. status, wealth, and forming friendships. 
I'm sure "It Happened on 5th Avenue" has its share of returning admirers who watch this every year in December. 
The story feels much more Hollywood-esque than other Christmas movies. 
Its humor is a bit heavier with sugary sweetness, though the meaningful morals are there. 
The movie serves its purpose in that it makes the audience feel enough warm for the holiday season.

Monday, December 16, 2024

The Lemon Drop Kid (1951)


Cast
Bob Hope - The Lemon Drop Kid
Marilyn Maxwell - Brainy Baxter
Lloyd Nolan - Oxford Charlie
Jane Darwell - Nellie Thursday
Andrea King - Stella
Fred Clark - Moose Moran
Jay C. Flippen - Straight Flush Tony
William Frawley - Gloomy Willie
Harry Bellaver - Sam the Surgeon
Sid Melton - Little Louie


I had the Christmas movie, "The Lemon Drop Kid" in my sights since Christmas 2023 when I commented on the other underrated holiday classics I've posted, or have yet to post, this month. 
I meant to watch it with my wife last year but didn't. So, I happened to catch it with her a week ago on the streaming app, "Classic Comedy Channel." 
Looking at the movie poster to "The Lemon Drop Kid" it doesn't look like a Christmas movie, but it is. In fact, for those that don't know, "The Lemon Drop Kid" gave the world the well-known Christmas carol, "Silver Bells" that's still sung and heard among the vast catalog of other Christmas carols sung and heard to this day. 
I find those small informative tidbits of holiday history amusing. You know, like how the movie "Meet Me in St. Louis" gave us "Have Yourself a Merry Little Christmas" or that “Baby, It’s Cold Outside” was popularized thanks to the movie "Neptune’s Daughter" from 1949. It's a fantastic song, by the way. It's certainly more wholesome than that loathsome "song" Cardi B vomited out a couple years back while the woke scolds wagged their finger at "Baby, It's Cold Outside." But on that topic, I really can't stay.
In this movie, Bob Hope plays "the Lemon Drop Kid" who's called that because he habitually eats lemon drops while coning people around New York, especially at the racetrack.
That's where the movie opens. The kid is swindling people at a racetrack by claiming to have inside information on the horses.
One of his hits is a young woman trying to place a $2,000 bet on a horse named Iron Bar. He manages to trick her into betting on another horse. However, he doesn't know this girl is dating one of New York's notorious mobsters, 'Moose' Moran (Fred Clark) who's with her at the track.
The horse she bet on comes in last. And Moran sends some goons out to grab the kid and bring him back to his place for...talking to. 
He demands the kid pay him the $10,0000 he would have won as Iron Horse came in first.
Bob Hope and Marilyn Maxwell in "The Lemon Drop Kid."
Or it's curtains for the kid, and just in time for Christmas, too. The kid may not make it into the new year unless he comes up with the dough.
Christmas is on its way, and the kid is desperate to come up with the cash. 
He goes to his kind-of girlfriend, Brainey Baxter (Marilyn Maxwell) to see if he can milk some cash off of her. When she brings up his lack of long-term commitment in their relationship, he takes a powder.
The kid then pays a visit to another crime boss, Oxford Charlie (Lloyd Nolan) for some help. 
Charlie has his own financial troubles with zero interest in helping the kid. Strike two!
Meandering the New York streets, the kid spots a Santa Claus ringing his bell for donations. This gives the kid an idea. He dresses as Santa and starts panhandling for donations...for himself, of course. 
A cop recognizes him, shuts down his little operation, and takes him in. 
After appearing in court, and landing in the pokey, Brainy bails him out. 
The kid comes up with a master scheme by coming up with a fake charitable organization and obtaining a city permit to organize his fraudulent charity. 
He sets it up for his sweet old neighbor, Nellie Thursday (Jane Darwell) who has been denied entry into a retirement home because her husband has been to jail. 
The kid goes to some of his con-artist buddies around New York for help, as well as Brainey, who thinks he has turned over a new and more kind-hearted leaf.
Together, they turn an old, abandoned casino into the "Nellie Thursday Home for Old Dolls"
With that, a collection of old ladies moves in, and all the necessary accommodations are made using makeshift items such as roulette tables as beds and so on. The city therefore grants the kid his much-needed license. 
Now, he and his pals can dress up as Saint Nick, and go out there with their own bells and buckets to collect donations all around Manhattan without being hassled by the fuzz. Of course, the kid failed to inform Santa's helpers that he really intends to use the money they collect to pay Moran his $10.000. 
The donations add up fast and plentiful. Kid's con is working. 
This impresses Brainey so much that she quits her job and starts working full time at the Nellie Thursday Home. 
Oxford Charlie gets in on the scheme thanks to Brainy. He thinks whichever home Nellie Thursday resides in can also be considered one of "Nellie Thursday's Home for Old Dolls." 
He has his muscle kidnap all the old ladies and move them into a large estate mansion in Nyack so he can reap some cash benefits. 
The kid returns home soon after to find the old casino empty and all the money collected from the panhandling, which he hid inside a hollowed-out statue, gone. 
He indulges in his self-pity while his helpers, as well as Brainy, learn what the kid's scheme really was. 
The kid soon figures out Oxford Charlie is behind this major setback. So, he goes to his office to steal the money back. And, maybe, he really does turn over a new, and much less self-centered, leaf.
Bob Hope is natural at bringing in some warmth to the story, but seeing as how the story is about a con artist, too much warmth would feel out of place. 
This movie doesn't overdo it. It's a different sort of redemptive story. I'm mentally comparing it to Scrooge's story from "A Christmas Carol." It's a story of a good-hearted guy making bad decisions. And Christmas is there to show that its never too late to start doing the right thing while casting off our bad habits, no matter how deep they run. It may be hard but it's not impossible. The kid doesn't need ghosts to get to where he needs to be. But a little fear, and seeing the problems of others, certainly pushes him
Christmas movies generally aim at sprinkling its audience with all those holiday movie feels. "The Lemon Drop Kid" is different in that sense for a Christmas movie. 
Hope puts in just enough and fills the rest in with his typical Bob Hope one-liners. I think that's what distinguishes this movie, which is a comedy, from something like "The Shop Around the Corner" and "It's a Wonderful Life." 
I think the term "timeless" doesn't apply as well as it could to "The Lemon Drop Kid" as it does to the other movies I've posted, or will post. A lot of that has to do with Bob Hope's period jokes. For instance, in one scene Hope jokingly refers to a cow as "Crosby." In another scene, when that same cow shows up at the home, and someone asks what it's doing there, he replies that Milton Berle is on tonight. They're period jokes and typical Bob Hope one-liners. They'll go over the heads of audiences who aren't up on their classic comedy.
Today this movie would likely appeal more to aficionados of old movies rather than audiences looking for something warm, relatable, and Christmassy to watch around the holidays, although it does have some of that.
The humor is very much a product of its time. That's not to say the movie isn't funny. 
It's wonderfully different for a Christmas movie; and it truly is a Christmas movie. That is, not only does the movie take place at Christmas, but the holiday season plays a critical role in the plot. This story, based on a short story by Damon Runyon, was previously depicted in the 1934 movie, "The Lemon Drop Kid" starring Lee Tracy and Helen Mack.
I found the 1951 movie streaming on the classic comedy streaming app. And to my absolute disgust, they cut out the song "Silver Bells" completely.  
Cutting the musical number out is uncalled for and hugely disappointing. It's shameful and unnecessary. Shame on you, app. SHAME ON YOU! 
Otherwise, it's a fun, innocent period comedy that's certainly different from the "home for the holidays" style of Christmas classic, although it has its own unique version of that style that fits the respective story.

Friday, December 13, 2024

A Christmas Story Christmas (2022)

My review of "A Christmas Story Christmas" originally published in the "Junction City Union" back in 2022. I reposted it here because it's not available online anymore. I made a few slight corrections from the original review, and added some imagery. Cheers! 

'A Christmas Story' sequel captures writer Jean Shepherd's irony and humor
Mike Sellman 
3.5 out of 4 stars

I believe I'm among a large audience who hasn't let a Christmas season go by without watching the 1983 holiday comedy, "A Christmas Story" at least once. I've been doing it for approximately the last 35 years. It seems like a movie people either love or dislike, the latter slandering the film with comments about it being "too silly" or "largely overrated." Regardless, I still make it a point to watch it every holiday season.
Never did I think I would see the actors from "A Christmas Story" return to their roles for a follow-up film. 
But they did in the sequel, "A Christmas Story Christmas," released Nov. 17, 2022 on HBO Max. 
The original movie, "A Christmas Story," directed by Bob Clark and released in 1983, is based on the books, "In God We Trust: All Others Pay Cash" and "Wanda Hickey's Night of Golden Memories and Other Disasters" by humor writer Jean Shepherd who passed away in 1999. It's also narrated by Shepherd who makes a cameo. Look for him. He's in there. 
Set in fictional Hohman, Ind. in the 1940s, the comedy holiday movie tells the story of young Ralphie Parker (played by Peter Billingsly) and his quest for a Red Ryder BB gun for Christmas. 
Billingsly is back playing Ralphie after nearly 40 years in this sequel. 
This continuing story takes place in 1973 - 33 years after young Ralphie got his BB gun.
Ralphie, now a struggling writer, lives in Chicago with his wife, Sandy (Erinn Hayes), their son Mark (River Drosche) and youngest child, Julie (Julianna Layne). 
He has taken a year off to write his first novel. He's been trying to have his manuscript published, only to be turned down by publisher after publisher. 
In the midst of this struggle, and as Christmas approaches, Ralphie gets a call from his mother (Julie Hagerty) with some tragic news. His father, (played in the original film by Darren McGavin) has died. 
Grieving, Ralphie's family heads to his childhood home in Hohman to be with his mother. 
When they arrive, Mrs. Parker asks Ralphie to write his father's obituary. On top of that, despite the tragic loss of his "old man," she wants him to take up the task of making Christmas wonderful for the family in memory of his dad who had a great affinity for the holiday season.
Of course, in the midst of Ralphie reacquainting with his old friends at the local bar owned by his childhood buddy Flick, played again by Scott Schwartz, and getting ready to celebrate Christmas, small yet unthinkable disasters descend upon him and his plans. 
Jean Shepherd is one of the best satirical story tellers in American story telling history. His stories amazingly depict the fondly remembered yesteryear of Americana with all its imperfections and disappointments, all with charming relatability.  
Peter Billingsly as 'Ralph Parker' in "A Christmas Story Christmas."
Whether reading his words, or listening to his old radio programs, the nostalgic Americana flows naturally from his mind. He's the Norman Rockwell of the written word. 
Shepherd's work doesn't mock. He just sees through the glisten of America's bygone "golden" era. 
No matter how wonderful, warm and memorable the American yesteryear is, Shepherd doesn't fail to point out the vexations, great and small, that came with day-to-day life of the 1940s on. This wit comes through enjoyable well and clear in "A Christmas Story Christmas." 
It's an element that makes the original movie well loved. 
While the movie is certainly a tribute to actor Darren McGavin, it also pays a great amount of tribute to Shepherd. That doesn't surprise me as his children, Randall and Adrian Shepherd, are co-producers of "A Christmas Story Christmas."
In the movie, Ralphie sets up his writing space up in the attic of his boyhood home on Cleveland Street. 
He finds his old typewriter and sets it up. The scenario works as a means to call back old memories seen in the first movie.
Of course, now those "memories" are covered in dust and cobwebs. Thankfully, these call-backs aren't overplayed with gushy nostalgic sentimentalities. 
Rather, the first movie is called back to memory here and there, from time to time, through props, jokes, or similar shots as seen in the part one. 
Yet, it doesn't completely depend on part one to tell a new and just-as-relatable story. 
Though the first movie doesn't end on any kind of cliffhanger. the new movie manages to say something meaningful. 
Some of the jokes and references are updated. Ralphie's daydreams for instance, as seen in part one, is a habit continues into his adult years.
One such fantasy Ralphie has is of himself winning the Pulitzer Prize. He has this fantasy while in the office of a publisher who's rejecting his work. 
What writer hasn't fantasized about their work winning a Pulitzer amidst a standing ovation?
A few scenes were recreated from the first film, such as the escalator ride up to see Santa Claus in Higbee's Department Store.
Other scenes are updated, such as Ralphie bribing a potential publisher with Christmas candy. a habit he practiced when trying to score a good grade on his writing assignment from his schoolteacher, Miss. Shields, in the first film. 
Such callbacks are mere fan service rather than depending on the humor and scenes from part one. Other parts in the film feel like a Hallmark Holiday movie with its Christmas sentimentality. 
Still, new jokes are written in, such as a running gag with wives constantly calling Flick's Tavern looking for their husbands. When the phone rings, the entire bar goes quiet. This is the kind of humor Shepherd is known for.
As "A Christmas Story" didn't perform well at the box office upon its release, making a sequel comes across as a big gamble. But it has been tried several times before. 
Once Turner Network Television (TNT) started running its 24-hour marathon of "A Christmas Story" around Christmas beginning in the late 1990s, the movie's modest and low-profile quality quickly drowned in the saturation of commercialism and merchandise seen today that likely led to this very sequel. Funny how that works as the original satirizes the commercialism of Christmas. 
"A Christmas Story" is not the first adaptation of Shepherd's works about Ralphie and his family. 
A television film based on based on Shepherd's stories about Ralphie, called "Phantom of the Open Hearth," aired on the PBS anthology series "Visions" in 1976.
In 1982, another television film, called "The Great American Fourth of July and Other Disasters" aired on another PBS series, "American Playhouse." It stars a young Matt Dillon as Ralph. 
In 1985, "The Star-Crossed Romance of Josephine Cosnowski" also aired on "American Playhouse." Since it was released two years after "A Christmas Story," some might argue that this is the first sequel (technically) to "A Christmas Story" though the movie doesn't make any reference to the film. 
In 1988, the movie "Ollie Hopnoodle's Haven of Bliss," starring Jerry O'Connell as Ralphie, and based on a short story by Shepherd published in "Playboy" magazine, aired on the Disney Channel. It later had a VHS release. 
"A Christmas Story" director Bob Clark teamed up with Shepherd a second time to make an official sequel called "It Runs in the Family." Released in theaters in 1994, the film stars Charles Grodin, Mary Steenburgen, and Kieran Culkin as Ralphie. It's also narrated by Shepherd just like the first movie. 
It picks up in the summer after the events of "A Christmas Story."
"It Runs in the Family" was released on DVD under the title, "My Summer Story." 
Unlike the titles I just mentioned, the 2012 straight-to-DVD movie, "A Christmas Story 2," debatably billed as the "official sequel," isn't based on any of Shepherd's writings. Rather, it pulls so much inspiration and content from the original movie, audiences might as well skip it and watch the first film. The less said about it, the better. 
Though "A Christmas Story Christmas" feels more like a film for the fans of the first movie, it certainly isn't a forgettable sequel. The effort and consideration to tell a continuing story to a movie that never needed a sequel to begin with is very present. 
It's not as original a sequel like "My Summer Story." Still, it manages to be distinct enough. 
The movie had me laughing at times just as hard as I do when watching part one. Its story is as empathetic as "A Christmas Story." It has the spirit of a quiet film despite all the commercialism attached to the franchise. The sequel does depend on the nostalgia, but the story works by itself.
Ralphie now working as a writer captures Shepherd's spirit. It also captures his humor and irony. This film maintains the agony of childhood like the first one did and mixes it with the pressures of adulthood. It ties it all together beautifully with its ending that is surely a meaningful bow not to the franchise, but to Shepherd, which I don't doubt he would be proud of. 


While I have you here. check out my other posts about films based on Jean Shepherd's stories about Ralphie 🎄


Sunday, December 8, 2024

The Holly and the Ivy (1952)


Director
George More O'Ferrall

Cast
Ralph Richardson - Rev. Martin Gregory
Celia Johnson - Jenny Gregory
Margaret Leighton - Margaret Gregory
Denholm Elliott - Gunner Michael Gregory
John Gregson - David Paterson
Hugh Williams - Lt. Col. Richard Wyndham
Margaret Halstan - Aunt Lydia
Maureen Delany - Aunt Bridget


Going along the same train of thought mentioned in my last review, "Christmas in Connecticut," the 1952 British holiday drama "The Holly and the Ivy" is a Christmas movie that doesn't get the same attention as more popular holiday movies that are sentimentally and dutifully watched year after year. 
Unlike "Christmas in Connecticut," I found "The Holly and the Ivy" much more palatable and human, though it has a melancholier tone. 
The movie centers on an English minister, Rev. Martin Gregory (Ralph Richardson), whose family are coming from all around England to his home for Christmas as they do every year. Martin lives in the remote village of Wyndenham in Norfolk where he practices his ministry. He lives with his daughter, Jenny (Celia Johnson), and is up there in his age. He seems to be more concerned over his flock than his family. So much so that he doesn't realize how dysfunctional his family is.
Martin also has a daughter named Margaret (Margaret Leighton) and a son named Michael (Denholm Elliott). Also, their cousin Lt. Col. Richard Wyndham (Hugh Williams) as well as Jenny's boyfriend, David Paterson (John Gregson), and their Aunts Lydia (Margaret Halstan) and Bridget (Maureen Delany) are joining the Gregory family for the holidays. 
When the Gregory family is all together, tensions begin to build. 
To begin with, Michael is developing a disdain for religion. He's also upset with his father's plans to send him off to a university after Michael finished with his national service in the Royal Artillery.
When Margaret shows up, she tells Jenny that she doesn't plan to stay. She also goes on about not wanting to continue as a magazine writer in London. Jenny quickly concludes that Margaret has become an alcoholic. 
Margaret later reveals that she had a son out of wedlock four years ago. Unfortunately, her son died of meningitis and the grief drove her to alcohol. She has also become an atheist. Atheism has a tendency to spawn from painful and traumatic events. 
Underneath all their personal issues, each of these siblings share one common problem. They don't think they can approach their father about their respective problems. They figure he'll just show disapproval for their issues rather than be supportive and helpful. If only they realized that disapproval of stupid decisions can be a compassionate act. What they want is their father to lie and tell them they're all still good little girls and boys. 
Ralph Richardson and Margaret Leighton in 'The Holly and the Ivy.'
As they continue to assume their father's feelings and reactions, Michael and Margaret decide they need to leave the house for a while to get away from their dad and their aunts. So, they go to a movie on Christmas Eve. Afterwards, they go out to a pub and return home drunk. 
When Christmas morning arrives, Margaret announces she's leaving. 
Meanwhile, Michael and his dad have an argument which reaches a point were Michael questions God's existence. 
But their preconceived ideas of their father are wrong. In fact, he's dealt with issues like these among his flock. Plus, he's had his own unconventional obstacles since the time he realized his religious vocation. 
He has deep and open conversations separately with Michael and Margaret where he realizes that he made his own mistakes as a father. That is, he paid more attention helping the members of his flock than paying attention to his own family. Their expectations about how their father would react are wrong. Forgiveness from him, forgiving themselves is a step towards healing, though the feeling of shame isn't necessarily a bad thing. 
At the end, the entire family are joined together at church on Christmas morning where they should be. 
While "The Holly and the Ivy" elevates Christmas to the level of honor that the holiday deserves, it still reminds audiences that even though its generally a holy and jolly time, it can also be a time to settle issues especially among family members, continue loving and forgiving (if necessary) the faults of our loved ones, and work on correcting our faults more vigilantly. It's a wonderful time of the year while also being the time when God and sinners reconcile. It's never too late to do the right thing. 
Not only does this family have problems, but they do understand the importance of Christmas despite their bitterness. They don't gush over the holiday, but they still gather even if with some reluctance. They all share a desire for resolution and reconciliation. 
While the theme is family coming together at Christmas, mending old unhealed wounds is just as important for this sacred holiday. The movie is unique among Christmas stories. 
A portion of the story deals with values and differences between generations. This is depicted between Lydia, Bridget, and everyone else staying for Christmas. There's tension between the generations. 
There's a scene in which Jenny and Aunt Bridget have an exchange about having goose rather than turkey for Christmas day just before Bridget threatens to leave over Margaret and Michael coming home drunk the night before. 
"You'll miss the goose if you go out," Jenny says.
"Goose is it you're having? Not turkey," Bridget replies.
"Oh, dear. Don't you like goose?"
Denholm Elliott, John Gregson, and Celia Johnson.
"I do. I prefer it. Now, I don't know what to do."
"Then stay on, Bridget." 
The story is drier than what American audiences may be accustomed to, especially when it comes to Christmas movies. That is, there's no hugely dramatized sentimental Christmas moment like George Bailey running down Main Street in Bedford Falls wishing everyone one a Merry Christmas, or young Ralphie Parker getting that one gift he so desperately wanted. The movie is heavy with dialogue, which is probably due to it being based on a stage play by Wynyard Browne. He based his play on the dynamics of his own family. The movie certainly feels like a stage play. 
To its credit, "The Holly and the Ivy" was shot in sequence which gives the actors a chance to develop their emotions as the story progresses. It works amazingly well. 
The movie does have some great lines, especially a comment about engineers being inhuman! 
"It isn't petrol or oil that make the world go 'round." 
The carol that the movie is named for is one of my favorite carols. In the song, ivy symbolizes the Virgin Mary and the holly symbolizes Jesus Christ. While ivy is in the title, the song is really about the holly. There's a scene at the dinner table where the family discuss the meaning behind the lyrics to "The Holly and the Ivy."  
Each stanza of the song describes something beautiful alongside something unpleasant about holly. 
"The holly bears the blossom, as white as the lily flower."
"The holly bears a berry, as red as any blood."
"The holly bears a prickle, as sharp as any thorn."
"The holly bears a bark, as bitter as any gall."
I wouldn't have been able to come up with a better title for a story like this one if I worked at it for years. The story utilizes Christmas as the time of year when both pain and forgiveness are most intensely felt.
There's no other Christmas movie I've seen where this is so well depicted. Other movies would generally use this family dysfunction, with the patriarch being a pastor, for laughs. While it's a Christmas movie that might lack the spark that ignites the Christmas feels which audiences, especially American audiences, love about their traditional Christmas movies, "The Holly and the Ivy" is a movie that deserves more attention around the holiday season.    

Monday, December 2, 2024

Christmas in Connecticut (1945)


Director
Peter Godfrey

Cast
Barbara Stanwyck - Elizabeth Lane
Dennis Morgan - Jefferson Jones
Sydney Greenstreet - Alexander Yardley
Reginald Gardiner - John Sloan
S.Z. Sakall - Felix Bassenak
Robert Shayne - Dudley Beecham
Una O'Connor - Norah
Frank Jenks - Sinkewicz
Joyce Compton - Mary Lee
Dick Elliott - Judge Crothers


Last Christmas season (2023) my wife and I sat down to some not-so-traditionally nor highly customary Christmas movies. We picked four movies that aren't as widely appreciated and commercialized as, say, "National Lampoon's Christmas Vacation," or "A Christmas Story," or "Elf" or "It's a Wonderful Life," or any version of "A Christmas Carol." You won't find these Christmas movies emblazoned on t-shirts, winter pajama pants, talking tree ornaments or novelty candies.
I had the idea to review a handful of holiday movies that don't quite get the accolades and appreciation of more customary Christmas movies like those I mentioned. I meant to post them last Christmas, but I didn't. So, I saved them for this year. It's like I packed them away with the rest of the decorations down in the basement. And now with the holidays upon us, I'm digging them back out, blowing the dust off, and displaying them.
Each year at Christmas, audiences often watch the same old Christmas movies which we hear about again and again.
Most of these are great movies, particularly "A Christmas Story" and "It's a Wonderful Life" which are the two greatest holiday movies ever filmed. 
I wanted to give some not-so-talked about movies a chance.
In the 1945 movie, "Christmas in Connecticut," Barbara Stanwyck plays Elizabeth Lane, a food writer out of New York. 
Lane writes columns about her husband and baby living out on a Connecticut farm. She certainly has her fanbase. But the content is all completely made up. 
Her readers don't know that. Her publisher, Alexander Yardley (Sydney Greenstreet), doesn't even realize it's all fake. Rather, he wants Lane to host a special Christmas dinner that goes along with the atmosphere of her column for one of her readers - war hero Jefferson Jones (Dennis Morgan). 
While he was in the hospital, Jones read all her columns and recipes and was really impressed by them. So much so that his nurse and fiancé, Mary Lee (Joyce Compton), penned a letter to Yardley. 
Well, now Lane is caught between either admitting the truth and ruining both her career and that of Yardley's as well as her editor, Dudley Beecham's (Robert Shayne). Or she can go along with this plan as best she can. She doesn't know how to cook well, and she doesn't have any children. 
Lane decides to go along with the plan and wing it along the way. 
She asks her "honorary uncle" and chef, Felix Bassenak (S.Z. Sakall) for help as he's been supplying her with recipes for her column. 
Her first dilemma is finding a farm in Connecticut. Luckily, her friend John Sloan (Reginald Gardiner) happens to have one. He has the hots for Lane so he's fine loaning his property to her. But he insists she marry him in return. In desperation to borrow his farm to carry out this lie of hers, she agrees.  
Next, she needs a baby as she doesn't have one. 
Luckily, the neighbor has a baby which she "borrows" to pass off as her own. However, she has little to no experience with babies. So, there's that issue. 
She also wants to marry John right away. She asks Judge Crothers (Dick Elliott) to marry them right there in the farmhouse. 
But when Jefferson arrives early, causing the ceremony to be delayed, something happens that Lane wasn't anticipating. She falls in love with him. 

Barbara Stanwyck and Dennis Morgan in "Christmas in Connecticut."

With all this going on, it's up to Lane to keep this charade going through Christmas. 
Honestly, as comedic as the scenario is, I can see why this movie isn't elevated to the same appreciation and level of the more widely popular Christmas movies.
The premise lacks charm, relatability, and Christmas spirit. 
Stanwyck's character is heaping one lie on top of another, until she simply can't anymore. And she puts her reputation, as well as that of others, on the line. And the audience is expected to like her in the end. 
Then, when things start to turn on her, Lane lashes out at Yardley. 
"I'm tired of being pushed around," she says when he won't let her speak. "Tired of being told what to do. Tired of writing your god-darned articles. Tired of dancing to everybody else's tune. Tired of being told whom to marry. In short, I'm tired!"
I certainly don't feel any sympathy for her. What a joke! 
And to really drive home the fact that Lane is completely selfish, she lashes out at Jefferson for "deceiving her." 
"Don't you come near me, you seawolf, after the way you deceived me," she says. 
"I deceived you?" he says.
"Yes! You're engaged!"
"You're married," he replies.
"That has nothing to do with it!"
Lane is unlikeable, plain and simple. If that's what Stanwyk was going for in her performance, then she nailed it beautifully. Her performance is strong and, all things considered, entertaining and well-performed. The fact this movie takes place at Christmas, as if to say "even assholes can have a Christmas miracle" is void of anything likeable. 
The whole movie plays out like a long early sitcom Christmas special a la "I Love Lucy" or maybe "The Honeymooners." If only Jackie Gleason took the lead role. 
 To its credit, I did stay focused until the end because I needed to see how this whole situation would wrap up. 
With this kind of comedy, I can understand why some might enjoy this movie around the holidays. Not me, though. It leaves a nasty taste in my mouth. 
I can't help but compare this flick to the more iconic, and far superior movie, "It's a Wonderful Life" (with all respect to Frank Capra's fantastic film) which only takes place at Christmas time in the final act of the movie. Part of the charm of the movie is getting to the Christmas portion of the story. 
"Christmas in Connecticut" tries to be charming by appealing heavily on sentiments and the cute appearance of devilish dishonesty disguised as innocence though the main character is anything but innocent.
One good thing did come out of this experience. Next time someone tells me "A Christmas Story" is a stupid movie, I'll direct them to "Christmas is Connecticut."  

Sunday, December 19, 2021

A Christmas Story 2 (2012)


Director
Brian Levant

Cast
Braeden Lemasters - Ralphie Parker
Daniel Stern - Mr. Parker
Stacey Travis - Mrs. Parker
Valin Shinyei - Randy Parker
David Buehrle - Schwartz
David W. Thompson - Flick
Tiera Skovbye - Drucilla Gootrad

Last year, I reviewed as many films based on the works of writer and humorist, Jean Shepherd as I could find. 
Shepherd books In God We Trust, All Others Pay Cash and Wanda Hickey's Night of Golden Memories, and Other Disasters are the basis for the classic holiday movie A Christmas Story. For those three or four people out there who've never seen this movie, it's about a kid, Ralphie Parker, and his quest to obtain a Red Ryder BB gun for Christmas.
As I previously pointed out on this blog, A Christmas Story isn't the first nor the last movie about Ralphie. I've reviewed those other movies on this blog, the last one being the 1988 movie Ollie Hopnoodle's Haven of Bliss. 
After that, I mentioned I would check out the worst example of a cash grab I had ever heard of - A Christmas Story 2. But I ran out of time during the Christmas season. So, I put it off until this year, Now, the time I never thought would come has indeed arrived.
Released straight to DVD in 2012, when I heard this movie was now a part of reality, I immediately decided to never watch it. Of course, I was lying to myself. Deep down, I knew I would someday. 
I had only seen it packaged along with the first movie. How else would producers get the public to buy it? 
In this sequel, things haven't changed too much during the six years that have passed since the events of the first movie. Ralphie Parker (Braeden Lemasters), who's 15-years old now, still hangs around with his pals, Flick (David W. Thompson) and Schwartz (David Buehrle). His old man (Daniel Stern) still battles it out with the furnace. Mrs. Parker (Stacey Travis) still maintains the Parker homestead. And Ralph's kid brother Randy (Valin Shinyei) somehow looks the same age as he did six years ago while his older brother has obviously aged. 
Ralphie has quite a crush on Drucilla Gootrad (Tiera Skovbye) who's dating the captain of the football team at his high school, or something stupid like that. I don't know. I forgot. 
All of Ralphie's fantasies this time seem to surround her. But don't worry. Those fantasies don't venture into closed rooms. Ralphie hasn't matured that much!
That BB gun he got for Christmas years ago is now an afterthought. This year his heart is set on something new for Christmas - a 1939 Mercury Eight Convertible. As he, Schwartz, and Flick pass by Hohman, Indiana's used car dealership one afternoon, Ralphie pauses to soak in the sight of this desired Mercury displayed in all its dark green and polished chrome glory, he decides to help himself inside the car to see how it feels. 
He begins to fantasize (Ralphie does this a lot in this flick) that he's cruising along with his love interest, Drucilla, nestled up close to him. 
While he's alone in the car with his Drucilla fantasies, Ralphie accidentally releases the break causing the vehicle to roll off its display and out into the street. He gets his pant leg caught on the break release, and rather than remove it, he takes his pants off. 
The bumper barely taps a light post. Yet, somehow, this is enough to cause a plastic reindeer decoration to fall from the light and through the convertible top. He crawls out of the back seat not wearing any pants, and none of it is funny.
He swears to the car dealer that he'll pay the $83 to have the top repaired. 
Ralphie tries going to his old man for help, which doesn't get him anywhere. 
So, he convinces Flick and Schwartz to help him come up with the money by getting a job with him at Higbee's Department Store - the same store from part one. 
After screwing up in department after department at Higbee's, the three of them are finally placed in the store's Santa Claus area. 
Here, they end up getting into a fight with the gruff, and problematic store Santa. And this costs them their jobs. I'll add the Santa in the original was overworked and tired, but not a complete jerk. 
Alone, Ralphie goes back to the store manager for one last chance. The manager rehires him and puts Ralphie outside the store dressed as a reindeer (because the first movie had him in a bunny suit. I suppose they can't repeat everything from part one) to help attract customers. 
Soon after weeks of working, Ralphie comes up $1 short of the car's repair costs.
So, he robs Schwartz of his "lucky buck" and then goes to pay off the damages. But the story doesn't end there. It goes on after he spends the $83 to take a homeless family out for a meal at the same Chinese restaurant where the Parkers had their Christmas dinner in part one.
The 1983 movie A Christmas Story used to be this quaint comedy that many people simply enjoyed around the holidays. That's all it was for me having made it a point to watch it every Christmas season for the last 35 years. Now, with the amount of A Christmas Story commercialism and retail the public is beaten over the head with year after year, the varnish that is the movie's charm has been wiped off. 
Tiera Skovbye as Drucilla, and Braeden Lemasters as Ralphie Parker
in A Christmas Story 2.
No wonder so many people hate it. The other day I saw an A Christmas Story-themed Advent calendar at the grocery store. What have we done to this classic movie? Before watching it, I was sure that A Christmas Story 2 would merely be another piece of schlocky merch with the movie's title greedily slapped on it. After watching it, I don't necessarily think that I'm too far off on that initial assumption. 
Anyone who has read my previous posts on those other Jean Shepherd movies knows my main gripe about A Christmas Story 2 is its claim to be the "official sequel" to A Christmas Story. Again, it's not.
A film aired on PBS back in 1985 called The Star-Crossed Romance of Josephine Cosnowski. Technically, this is the first movie to be released after A Christmas Story that's based on Shepherd's stories about Ralphie Parker. 
After Ollie Hopnoodle's Haven of Bliss, the movie My Summer Story was released theatrically in 1994. It, too, pulls from the works of Shepherd. It's directed by Bob Clark who directed A Christmas Story. It's narrated by Shepherd yet again. And My Summer Story feels like a tried-and-true sequel. It's not as strong as the first, but I still found it entertaining. Above all, it tries to be its own story and make its own comedy.
A Christmas Story 2 only pulls from the first movie and takes nothing directly from Shepherd's works. Even the narration is an impersonation of Shepherd.
Were the original honestly depicts an era in American history often viewed with rose colored glasses, this sequel imitates the slapstick comedy, novelty, sight gags, and jokes from part one.
The entire sequel puts all its effort into being the first movie while thinking it's something different because it's a new Christmas story. There's a gag with Flick sticking his tongue to an air tube only because he accepted the "coup de gras" of all dares and stuck his tongue to a frozen flagpole in the first film. There's a scene with Ralph slowing saying "oooh, fudge" as he watches the plastic reindeer fall from the lamp post into the car. There's the old man yelling even more profane gibberish at this furnace. There's fantasy upon fantasy from Ralph. There's another leg lamp. If I want the humor and stuff from part one, I'll watch part one. 
Daniel Stern, who's not a bad actor, is the worst portrayal of Ralph's dad. 
With Darren McGavin's role as "the old man" in the original, he makes this character relatable. He's an embodiment of everyone's dad. He's an all-American father.  He loves a good bargain. The weight of all things is upon his shoulders whether it's his Oldsmobile freezing up, or a clinker in the furnace. He may be gruff, throw out some choice words in heated moments, but he's dad. Above all, his performance isn't exaggerated. McGavin plays it all very naturally.
With Stern's portrayal, there's no other way to say it. He makes him a cartoonish asshole. McGavin's old man was likeable. This guy - not even close. 
He's ridiculously over-the-top, talks out of the side of his mouth like he's caricature of an inner-city taxi driver, and turns the old man into more of a sitcom character than an actual dad. He's nothing but an exaggeration. 
Being a father can be a thankless job. When Mr. Parker wins his "major award" in part one, it's recognition. To the family, it's a leg lamp that's as gaudy as can be. To the old man, it's a symbol of appreciation. That's something he rarely sees. It's no wonder he lights up when he wins it (no pun intended).
In the first film, the only time the Old Man shows anger to his wife is when she "accidently" knocks his lamp over while watering her plants. When he finds her holding his shattered lamp, he can barely contain his anger. 
"You were always jealous of this lamp," he blurts, scowling in dismay.
When her true feelings of disgust come out, he has nothing left to say but "get the glue." 
"We're out of glue," she says. 
He glares at his wife.
"You use up all the glue...on purpose!" 
In part two, one scene shows the old man yelling at his wife in a grocery store because she orders a Christmas turkey that's 40 cents a pound. In the first movie, he loves turkey so much that he's called a "turkey junkie." I guess he drops his habit when it costs 40 cents a pound. 
But rather than pay it so his family can have a nice meal on Christmas, he refuses and then attempts to go ice fishing to catch Christmas dinner - unsuccessfully. Mrs. Parker ends up buying a fish from the market for Christmas and tells the family their dad caught it. Nothing learned. 
In another scene he yells at his wife and accuses her of jinxing his fishing as she takes over the pole for a few moments and catches a large fish. When they try to pull the fish up through the small hole in the ice, and then snag it with a net, they lose it. The old man explodes in anger as she tries to help. Again, I don't know what else to call him. What an asshole!
One scene that caught my attention has Ralph meeting his dad out on the frozen lake to open up about the car, but his dad takes over the conversation.
I thought we'd get to see a genuine father and son moment - something that doesn't really happen in the first. 
But this scene doesn't go there, and it becomes a missed opportunity to explore Ralphie's relationship with his dad. This is odd as the majority of the narration, which is Ralph as an adult, begins with "The old man."
This scene caught my attention since it was his dad who gave Ralphie the Red Ryder BB gun in the first movie. His dad was the only character Ralphie didn't ask. And his dad never told him "You'll shoot your eye out." I would have loved to see this relationship explored more. 
I'll give the movie credit in its storyline. Having watched the previous movies based on the works of Shepherd, tales of Ralphie Parker with the backdrop of good ol' Americana that is fictional Hohman, Indiana, are what make his stories unique. A Christmas Story 2 isn't much different as far as that goes. 
Daniel Stern as Mr. Parker.
It manages to have that feel. It's faint, but it's there.
Lemasters clearly puts in great effort and energy into his role. He's not bad at all as an older Ralph. His Ralph is certainly more animated than before.
Before A Christmas Story, Shepherd was an established radio personality, having been on air for decades. He was and still is enticing and fun to listen to. His likeable chummy personality and honest humor is reflected beautifully in the classic Christmas film. And his narration in A Christmas Story is a big aspect of the movie's charm and popularity.  
The narrator, Nat Mauldin, the film's writer, impersonates Jean Shepherd's voice in part two. It is what it is.
I didn't realize until the end of the movie that I actually tuned out the narration. It wasn't a conscientious decision. I just tuned it out without thinking about it. Every little thing that happens is not only shown, but also explained. The narration is painfully overdone. And the majority of it is completely unnecessary. Most of the time, the narration is only telling us exactly what we're already seeing. So, why is it there? My guess is to continue reminding the audience how funny part one is.
A narrator's purpose in a movie is to assist in the storytelling. It adds context to what the audience is watching. One of the oldest rules in writing is "show, don't tell." This movie shows and tells...and tells some more.
When Shepherd narrates the original, it gives a little more depth to Ralphie. It helps move the story along and adds an element of interest and fascination for the audience. It works. And above all, it's limited. As Shepherd was popular as a storyteller on radio, it makes sense to bring is personality and voice to the big screen.
In part two, the narrator verbalizes everything and in nearly every scene. Again, it's all because of the first movie, but saturated in the attempt to give the audience an intensified part one like extra, extra cream and sugar in an already perfect cup of coffee.  
The same can be said for all the fantasy sequences in the film.
Each one practically leads to his love for Drucilla. None of these fantasy sequences are funny. Not one! Ralphie may have grown since the events of the first movie. But he certainly hasn't matured much if I'm to take anything away from all his fantasies in part two.
Honestly, the most interesting part of the movie is the damn car Ralph drools over. When the interior and exterior of the car are shown to the audience, and the narrator shares Ralphie's thoughts, my thinking "that's a classic" was the best reaction I gave to the movie.
I honestly think if the writers really made this second Christmas story its own thing, even though it's not based on any specific stories from Jean Shepherd, it might have been a relatively enjoyable sequel to watch despite being a clear cash grab. It would go along with the spirit of Shepherd. But it makes itself rely so heavily on part one.  
I didn't watch A Christmas Story 2 just to be fair before publicly bashing it. I wanted to approach it honestly despite my previous assumptions. 
This movie takes all the subtle, relatable humor from the first one and beats the audience over the head with it just like all the other commercialization of A Christmas Story that has since wiped the gleam and shimmer off the once modest Christmas comedy.
So, I think this wraps up my watching all the Jean Shepherd movies I could find. I'm going to give 2017's musical A Christmas Story Live! starring Matthew Broderick a huge pass. And this time, I mean it.

Masters of the Universe (2026)

" Hang on, it's about to get weird. " Director Travis Knight Cast Nicholas Galitzine - Adam Glenn / He-Man Jared Leto - Skelet...